By Taylor Lanham
Chances are, you have already seen some of David Krovblit art being passed around the internet. Undeniably, his work possesses an infectious nature that makes it difficult to stay in one place. Although all his pieces deserve a closer look, viewers easily crave more of his visuals.
At first glance, his pieces appear aesthetically pleasing, with rich coloring and a crisp appearance. However, upon deeper inspection, it quickly becomes clear that his eye for presentation matches the intensity of his content.
Art with a Conscience: The Opioid Crisis
Krovblit boasts an impressive clientele, including Konami, Snickers, and Visa. Nevertheless, his most recent works address the serious issue of medication. Specifically, he depicts weapons filled with prescription medication. Through these pieces, he makes a powerful statement on the current opioid crisis across the country.
Krovblit explains: “Opioids have become an epidemic across North America… Death counts are astronomical and this is not just a local problem. I felt a duty to help spread the word.”
Consequently, the series serves a dual purpose. First, it acts as a powerful reminder of the danger of opioid abuse. Second, it raises awareness of just how widespread the problem actually is.
The “Grenade” Series: Life vs. Death
By far, his most recognizable series is “Grenade.” This collection features exquisitely manipulated images of decorated grenades, crafted to resemble Fabergé eggs.
Krovblit art uses this series to play with an interesting dichotomy. He recalls: “One day I was working in the studio and the grenade caught my eye. I thought to myself ‘That sort of looks like an egg, an egg is a symbol of life, a grenade is the symbol of the exact opposite’.”
Ultimately, this opposition of life and death in one stunning piece makes the “Grenade” series visually captivating and thought-provoking.
Social Commentary and Consumer Culture
We see the return of the egg theme in the “Eat Fast, Die Young” series. Here, Krovblit depicts breaking eggs alongside Ronald McDonald and Colonel Sanders engaged in acts of violence. The implication is clear: destruction is present throughout consumer society, albeit in a more acceptable form.
Furthermore, pieces like “Lovin’ It” explore our interaction with food and consumer culture. Krovblit states: “Money and materialism rule our society. People buy stuff to feel better or stroke their ego. You start chasing this feeling by buying more and more stuff, trying to fill a hole that can never be filled.”
For example, “Lovin’ It” depicts a disheveled Ronald McDonald holding a sign that states Will Work for Food. This suggests that no matter the level of wealth you achieve, you will remain ever-hungry if money was your only goal.
A Pragmatic Approach to Mediums
Remarkably, the incredible diversity of presentation signifies David Krovblit art. Although he considers himself a photographer first, he prides himself on a pragmatic approach.
He says: “Lately there is no banner to wrap around myself. If I think it, I want to make it happen, in whatever material or medium.” As a result, his series range in medium and technique. Yet, they always manifest his dedication to near-perfect composition and clarity.
Face-to-Plexi Process
Krovblit uses a “face-to-plexi” process to present his creations. He describes this as a conceptual tie-in with the grenades, stating, “It is almost as if you are standing behind the safety glass.”
This unique process allows for a deeper experience. In a way, the audience participates with the art even as they view it. This interactivity creates a visceral connection with the viewer.
Ever the diligent artist, Krovblit continues to keep up an extensive schedule. Recently, he exhibited “Delicate and Destructive” at AC Gallery in Miami and built a 16’x16’ collaged installation piece.
Explore more David Krovblit art: Visit his website at www.krovblit.com or follow him on Instagram: @krovblit1.
