Issue: Fall 2018

By Brittany Knupper Board games such as Monopoly, Scrabble, and Dungeons & Dragons have long been regarded as a universal

By Belinda Cai “With black and white, you’re forced to deal with the subject. You don’t get a chance to

By Brittany Knupper For Will Day, the realization that he was an artist came early, but the journey to fully

Visual storytelling from the lens to the canvas. By Laura Shirk For Paul Julien Freed, the transition from camera to

By Brittany Knupper Philippe Hoerle-Guggenheim did not take the traditional route to the art world, yet he was born into

By Brittany Knupper “For me, existence is about creating, exploration, movement, and attuning myself to energies and frequencies,” says Shauna

Poetry, Perception, and the Art of Seeing By Holly Dunn Introduction to Gate Posts with No Gate Poet and artist

By Taylor Lanham In the world of contemporary oil painting, few artists bridge the gap between hard-edge abstraction and organic

A Fall 2018 Art of the Times feature on photographer Barbara Cole, exploring resilience, imagination, and the power of submerged imagery.

David Wells Roth’s paintings investigate the psychological and poetic power of light as it defines space, architecture, and human presence. Influenced by aerospace imagery, urban isolation, and European light, Roth’s work spans city nightscapes, portraiture, and historically significant judicial commissions, offering a deeply human meditation on solitude, movement, and perception.